By Laura Rodriguez Fuentes
Six days a week, from 6:30 to 7:30 p.m., Station 2000 accompanies the
public of all ages and receives the special acknowledgment of the young people,
because thinking about them and next to them it stays in all the seasons of the
year.
I remember specially the day I enter for the first
time the studies of CMHW broadcasting station in Villa Clara, to
comment live the activities the High-School Students Federation (FEEM) proposed on
the occasion of its anniversary.
At that time I attended the first year in Ernesto
Guevara High
School in the city in Santa Clara, and a
group of us was invited to the program we listened to every afternoon on the radio:
Station 2000.
This way, many other listeners have become usual
collaborators of a space like this, that last July 5 celebrated its 12 years of
radio broadcasting.
And it is that Station 2000 is not only a program conducted
by young people but projected and made for them.
The antecedents of youth spaces in CMHW come from the
70’s, with programs like Hello, Future
and Youth of today, directed by
Fabio Bosch and Rogelio Castillo, respectively. The idea of a project of this kind
on the radio arose during the 1990’s, due to an adjustment of programs and
informative priorities.
The first proposal, named Station 1999, appears in
the summer of that year with half an hour long, always after the provincial, always
after the provincial news program, in a time determined by the greatest amount
of audience.
Its function was initially recreational, in order
to entertain the listeners. In 2000, after eight months without going on the
air, it appears again with the title it keeps until today.
Jesús
Ernesto Pérez Pallas, director of the program from the beginning,
explains: “We gave the project this name because it was born in the summer
season, and its purpose adapts to the moment the young people are living. It
has stayed for 12 years, at any moment and in all seasons”.
The program was
one hour long and since then it has been an attempt to guide the new
generations.
Its speakers are Yoandys Manso,
Jefry Carrazana, María Luisa Bringas, Liliet Gómez, Liecty Ruiz or Didiana Rigó, who confess the daily work gave them the necessary practice to channel
their later training as professionals.
A second intermediate generation of speakers are also
remembered affectionately by the audience, like Marianela Machado, Jarlis
Rafael Ramírez and Yanet González.
“We have got
some experience in every sense”, Yariel Valdés and Vivian Rosa García agree. They are two of the present speakers of Station 2000. “Through the
program we develop some aptitudes in the schools and improve the artistic
vocations of the students”, Vivian adds.
Other
current speakers are Elvis Fernandez, Dagnieris Rodriguez, Daniel García and
the new voices in training Joaquin Suárez and Luis Orlando Torres, who state they
do their best in front of the microphone to take the message to the listeners.
“If it is hot
or cold, if they are in a period of exams, if it is an important historical
moment, we considere all those issues to conceive the script”, Pérez
Pallas explains, an eternal teenageer and persevering
promoter of the program.
The subjects diealed with in the usual colloquy are
related to important dates, anniversaries, events, preferences and tendencies
of the young people so that they feel identified with the theme. This way,
music and dialogue form a harmonious whole,
complemented with cultural invitations, recreational proposals, calls, guests
and even useful advices for life.
“We try to educate through music”, comments Jesus Ernesto Perez Pallas, “without reiterating the commercial tunes some people believe this generation prefer, but it is not like this.”
Pedro Peña, musical producer, says: “We always propose rhythms with a message, like the present Trova and even dance orchestras and of a good popular taste, always addressed to form a proper behaviour in the young people.”
“We try to educate through music”, comments Jesus Ernesto Perez Pallas, “without reiterating the commercial tunes some people believe this generation prefer, but it is not like this.”
Pedro Peña, musical producer, says: “We always propose rhythms with a message, like the present Trova and even dance orchestras and of a good popular taste, always addressed to form a proper behaviour in the young people.”
One of the merits of Station 2000 is that it
manages to represent in each broadcast all the student organizations with
guests, specialists and the usual cultural proposals “in the Station 2000 style”.
Every day they tell a story, because the staff feels young and full of jovial charisma and mutual affection.
With six
weekly frequencies, from 6:30 p.m. to 7:30 p.m., Station 2000 goes with the audience of all ages and receives the
special recognition of the young people, because the program keeps thinking of them and next to them it
stays in all the season of the year.
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